Salome at the Royal Opera House

If this is how the Royal Opera House is starting 2018, then we are in for a vintage year. 

 

Oscar Wilde’s original French play Salome, translated into German all in one Act, is just under 2 hours of intense brutality and unyielding musical brilliance, built on a theme of eroticism and murder.  It was first performed in Dresden in 1905 and Gustav Mahler himself wanted to conduct the opera in Vienna, but in fact the censors refused consent and did not relent until 1918.  It was initially banned in London until performed at Covent Garden under the baton of Thomas Beecham in 1910. 

Rigoletto at the Royal Opera House

If the French had anything to do with it, Rigoletto would never have been performed.  Based on Victor Hugo’s play ‘Le roi s’amuse’, where Verdi described the subject matter of the play as ‘immense’, it was highly controversial as it depicted the King of France as an immoral and cynical womaniser.  As a result, the opera had to undergo many changes before the censors allowed it to be performed, opening at La Fenice in Venice in 1851.  Even though the King of France was deleted from the opera – he was converted to the Duke of Mantua – the opera was banned in France and not performed there until 1882.