Adriana Lecouvreur at the Royal Opera House

This was the main operatic success of the composer, Francesco Cilea.  He has given us wonderful orchestration and at times a rather long drawn out melody, but it is not a score of gripping intensity or passion, despite the story of the celebrated Parisian actress who’s love for the handsome Count is met by a rival who eventually kills her with poison.  

Rigoletto at the English National Opera

An old friend is back.  To see Jonathan Miller’s Rigoletto return to the stage was a great comfort.  It has been intelligently revived by Elaine Tyler-Hall and the sets (particularly the art deco at the beginning of Act I and in Act II) as well as the bar scene in Act III are clear, precise and still very relevant today.