Michael Zaoui Premiere with the Aurora Orchestra at the Queen Elizabeth Hall

What a privileged evening this was. 

 

Michael Zaoui, banker, is a governor of the South Bank.  At the age of 14 he tried to join conducting classes at the Paris Music Institute and was instantly rejected.  This rejection has lived with him ever since and was only cauterised with this concert, which was Michael’s premiere with the baton.  He has worked hard every day over a year on his dream to conduct, and was helped in his efforts by the wonderful Sian Edwards at the Royal Academy of Music.  In his ‘dream come true’ moment he was incredibly lucky to not only be the first – even trial – concert at the re-opening of the new Queen Elizabeth Hall, which has been closed for 2.5 years, but also had the privilege of conducting the wonderful Aurora Orchestra, who will be the resident orchestra at the QEH. 

Macbeth at the Royal Opera House

Verdi’s first version of Macbeth was completed in 1847.  It was his first Shakespeare play that he adapted for the operatic stage. This was a golden period of composition by Verdi stretching 16 years, which saw him produce 22 different operas, including, amongst others, Rigoletto, Il trovatore and La traviata. 

La Traviata at the English National Opera

La Traviata had a somewhat complicated beginning. This opera – The Fallen Woman – is a Verdi opera in three acts, adapted from the novel La Dame aux Camelias by Alexandre Dumas. It opened in 1853 at La Fenice in Venice. Despite the Composer’s wish for a contemporary setting, the local authority insisted that the action be set in the early 18th century and it wasn’t until the 1880s that a more contemporary production was staged. In the original production, the acclaimed soprano singing the lead of Violetta was booed because she was considered to be too old (at 38) and too overweight to credibly play a young woman dying of consumption!